





In Alfred Hitchcock's trailer 'Stranger's On a Train' we see that the audience know what is going on in the film whereas the characters have no idea. This is shown by the plans for the murder being openly discussed on the train and although at first it just seems like one big joke, in the end it comes true. The wife of one man is killed by the other man and the audience know exactly who killed her and why she is killed whereas the women herself had no idea this was coming.
In my trailer I want to use this idea of the audience being 'in the know' yet the characters having no idea. I also want for tension to be built and for the audience to get frustrated that they know what is going on but the character to have no idea and to simply think everything is normal. I think this will make the audience want to learn more about the film and to want to find out what happens when she realises she is being stalked.
Also Alfred Hitchcock makes films that are mainly thrillers and again my film fits under this convention. He uses the idea of the camera moving in a way to mimic a person's gaze and I may use some shots like this for my trailer as I think it gives the audience a different perspective of the film and what's really going on. I don't want my entire trailer to be filmed from one person's perspective, instead I would prefer for things to be seen through the eyes of both the girlfriend and ex fiancé.
For my mood board I took images off the internet that I felt would fit my trailer and ones that gave me ideas of what to film. I have chosen the picture of the girl and boy standing at the gate because I like the use of silhouettes and also it portrays my idea of childhood sweethearts. I used the man with his face split into two to represent the split personality of the ex fiancé. I like the lighting used in the image of the man following the women and feel this lighting gives and eerie feel and the camera shot used is one I would like to use as I feel it gives a tunneling effect and suggests that everything is closing in around the women. I wanted to use the pictures of the woods and small town because these are locations similar to the ones I want to film for my trailer. Again I like the silhouette that has been used of the women leaning against the window and think it looks very effective, so this is something I may choose to use for my poster or magazine. I have chosen to use the lightning pictures because for me this will be a key point in my trailer where I introduce the ex fiancé back into the film. Finally I have used the dark image of the man walking down the alley because I would like to use a shot very similar to this in my trailer, portraying the ex fiancé in a darker way.
Pam Cook is a professor in film at the University of Southampton. She was a pioneer of the 1970's Anglo-American feminist film theory along with Laura Mulvey and Claire Johnston. In the mid 1980's Cook co-authored and edited the leading textbook in film studies which is The Cinema Book for the British Film Institute and from 1985 to 1994 she was Associate Editor and contributor to BFI and Sight and Sound magazines. She retired in 2006 however still publishes books and continues to write articles.
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Tsvetan Todorov was born in Sofia on March 1st 1939. He believed that stories began with an equilibrium or status quo which was then disturbed or disrupted by an event or problem and finally the all would be resolved and everything brought back to its normal state. This is usually broken up into these three stages:
1. Equilibrium (Normality)
2. Disequilibrium (Normality is interrupted)
3. New Equilibrium (A new normality appears, however this may not be good)
In my film trailer I use the idea of Todorov's theory. The way I portray this in my film is that the equilibrium at the beginning of my trailer is when the women is with her fiance, where they are both happy and feel they are living the perfect lives. The disequilibrium, where normality is disrupted is when her fiancé goes crazy on her and his personality splits into two. The new equilibrium is then where she settles down in her new town with her new boyfriend and feels her life is returning to normality.